Join the School of Visual Arts from July 6—31st for the second year of a new summer residency program, “Typography as Language!”
Design a typeface and use it in a project of your choosing in any media—on screen or on paper. Each student will have 24-hour access to the Type as Language studio in New York’s Chelsea district and the opportunity to study closely with renowned type designers Tobias Frere-Jones, James Montalbano, and Daniel Rhatigan. A stellar roster of guest lecturers plus visits to Louise Fili’s world-famous design studio and a letterpress facility, round out the program. “Type as Language” is built around four interrelated one-week modules, covering technical, theoretical, historical, and practical studies. We welcome applications from students and working professionals across all design disciplines.
For more information and details on how to apply, visit sva.edu/residency/typography. @SVATypeLab facebook.com/TypeAsLanguage
Maximilian Heitsch is a Munich-based creative working in the fields of art, graphic design and cultural events. He focuses on the interaction of space, movement and simplicity. The effect is a body of work that reflects the ideas and practices of artists like Ellsworth Kelly and Frank Stella. I’m a fan of the tension that’s created between the intersections of the shapes, how the brain creates meaning in the abstract.
When I think of the word “pavilion” I imagine standard 2×4 pieces of lumber slated together to make the most mundane of barbecue shelters. Architect Marc Fornes and his firm THEVERYMAN has succeeding in creating the opposite, a brightly colored shelter made from aluminum shingles that together create an amorphous blog that looks like it’s ready to slither across the land, titling it the Vaulted Willow. These are the objects I’d love to see popping up in more places, a thoughtful piece of architecture that tries to incorporate organic and natural forms.
Taipei based photographer Sydney Sie sees the world very differently from you or I. She describes her own work succinctly, stating, “I want my works to be bright but eerie, and include aspects of graphic that particularly interest my such as colour. I like to capture surreal moments, but those moments or atmospheres I created through different analogue and, or digital approaches.”
Look through more of Sydney’s work on her portfolio site.
Designer Tsuyoshi Kawara has found a creative re-use for discarded Japanese roof tiles, utilizing them as the seat of his Kawara Chair. Using a wooden frame as the base Kawara has found a way to highlight the beauty and individuality of the tiles as they come in a multitude of glazes. And though a seat made of tile may seem precarious, Japanese roof tiles are fired at 1200 degrees celsius, much higher than the 800 degree temperature of European tiles, meaning that they can hold the weight of a person up to 250 lbs.
I love that the design is centered around a discarded object that already has an inherent beauty. Kawara smartly developed a solution for an object that was being discarded simply because it wasn’t perfect enough.
You can learn more about the Kawara Chair by visiting Domus.
There’s something I love about redesign concepts when they relate to foods and drinks. We see so many of these products day in, day out that to see them in a new light fascinates me. Kara Haupt has created something that perhaps defies “redesign” and approaching the “reinvention” space, creating a new concept from something familiar. In my mind this looks like it would be an aged, super premium version of Jäger that you take shots of on your yacht. Plus, “old man Jäger” has a really nice ring to it.
You can see her full concept by clicking here.
The A’ Design Award & Competition is the world’s leading international annual juried competition for design. The A’ Design Accolades are organized in a wide range of creative fields to highlight the very best designers from all countries in all disciplines. Entries to the competition are peer-reviewed and anonymously judged by an influential jury panel of experienced academics, prominent press members and established professionals.
The A’ Design Prize, given to award winners, includes PR, publicity, and marketing services, in addition to an exclusive invitation to the glamorous Gala-Night and Award Ceremony at Como Lake, Italy, where award winners are presented their exclusive trophies, hardcover yearbook of best designs, and certificates.
Submit your work at adesignaward.com/registration.
Deadline for entries to the A’ Design Award & Competition is on February 28, 2015. Results will be announced on April 15, 2015.
Last year, Collective magazine conducted an interview with Marieke Stolk, Danny van den Dungen and Erwin Brinkers, who are better known as the designers behind Experimental Jetset. They speak about they’re process working together, how you evolve as a designer, dislike of the term ‘target audience’, and much more.
In particular I loved their mentality, that they “don’t study theory; we live it”, which comes across in a very heady, sort of existential way. I’m not one to over-intellectualize ideas (you’ve read this blog, right?) and most of the time that stuff goes over my head. But you can tell that the guys from EJ, however deep their thoughts may be, really do live by their words.
We know, there are plenty of critics out there trying to make designers feel inferior, trying to prevent designers from making creative (and intuitive) use of theory, trying to force designers to think in a more ‘rigorous’ way – but really, to speak with Raoul Vaneigem, “such people have a corpse in their mouth”. They are supporters of a dead and rigid notion of theory.
Probably one of my favorite interviews I’ve read in a while, click here to read the full piece.
Found through Readdd
Came across these killer prints by Studio Esinam over the weekend which have landmarks and other notable buildings rendered in a minimal line art style. The effect is a series of works that are filled with wonderful details yet can sit comfortably in the most simplistic of spaces. I’d personally love one of these prints for my bedroom which Kyle and I keep relatively white and clean. I feel like I can relax in there better because of it.
You can view all 10 prints by clicking here.
A little bit of old, a little bit of new. That’s what Wespi de Meuron Romeo architects have put together with their Stone House transformation in Scaiano, Switzerland. The space is fresh and contemporary in so many ways, with the glass filled cutouts, polished concrete floors and ample amounts of light.
This concept allows on the one hand the authentic conservation of the historic stone façade, which tells the history of the house and on the other hand, it generates zenith light for the rooms with exceptional light reflections. It would not have been possible otherwise to get sunlight into the rooms, in such a village structure with narrow streets.
In my opinion this looks like the ultimate getaway. Think it’s available on Airbnb? You can see more photos of the entire renovation on designboom.
Photo © Hannes Henz