The Fox is Black

  • We need to talk about André 3000 and his new album, New Blue Sun. Interviews starting ramping up last week about the album, with André saying, “there’s no bars,” that he won’t be rapping on the album. This is paired with the fact that he’s been seen wandering around the literal globe with a massive flute in tow. Clearly this record was going to be something different.

    André 3000 - 'New Blue Sun' Record Cover

    From my perspective, it’s an ambient, new age, world music endeavor. It sounds like echoes of Alice Coltrane and Laraaji, Hiroshi Yoshimura’s Green, like a warm afternoon laying in the sun. To really help me understand this record, it was actually the Pitchfork review that gave me the most insight. I knew he had worked with some of the folks from Leaving Records, who I came across in the last couple months, but it sounds like it was truly a jam record, for lack of a better term. And I think it’s that variety of artits and sounds that really make this record something special.

  • Yu Su is one of those artists I try to keep up with, her style of music taking inspiration from a variety of sources, including her classical piano training, her experiences with modern Western music, and the natural world around her. Born in Kaifeng, China, she moved to Vancouver and started producing music in 2014, a unique blend of “forth world” ambience and left-field dance music.

    Her most recent EP I Want an Earth was inspired by her time in the natural landscape of Ojai, a beautiful little town 1.5 hours outside of Los Angeles. She states in an interview with Mixmag Asia that “the reflections of light, wood burning in the fireplace, and materials that “rhymed with the sounds in the room” gave rise to the enchantingly organic demeanor of her release.” I was walking around San Sebastián earlier today listening to this record and it was a perfect compliment. I can definitely recommend this as a great soundtrack for dog walking or on the way to grab a coffee.

    'I Want an Earth' by Yu Su
  • Nicolás Jaar is a great example of a musician who continues to push forward into new territories. His seminal album Space Is Only Noise is a timeless record, and his work under Against All Logic has so many gems. It’s the music that he creates under DARKSIDE, alongside Dave Harrington and newly joined member drummer Tlacael Esparza, that seems to be his current passion.

    The now trio have a new record out titled Live at Spiral House, featuring material recorded during sessions at the band’s Los Angeles rehearsal space, Spiral House. The record does a great job of capturing that feeling you get hearing a band play live. The added depth that Esparza’s drumming brings is immediately noticeable. They sound like super rad jam band who plays electronic music, guitar solos replacing glitches and noise, a din of noise laying underneath the sounds, bringing a unified warmth to the record.

    Live at Spiral House by DARKSIDE