Sufjan Stevens’ new song “No Shade in the Shadow of the Cross”

Sufjan Stevens has a new album called Carrie & Lowell which comes out March 30/31. Now he’s released a new single called “No Shade in the Shadow of the Cross” which I’d describe as a return to the old Sufjan. More traditional in sound, it combines Sufjan’s voice with a steady plucking guitar and the slightest trace of river flowing in the background. It doesn’t get more calm and lovely than this.

Sufjan Stevens's new song "No Shade in the Shadow of the Cross"

Bobby Solomon

February 16, 2015 / By

Sufjan Stevens Releases New Album ‘Carrie & Lowell’ on March 31

Sufjan Stevens Releases New Album 'Carrie & Lowell' on March 15

Incredibly it’s been five years since the last album from Sufjan Stevens came out, the challenging, sprawling Age of Adz. That album to me is his pinnacle, a masterpiece that he may not be able to trump. This statement will be tested soon enough as his new album Carrie & Lowell is being released on March 31.

The preview below sounds like a return to his older work, with sort of an Illinois or Seven Swans sound to it. It’s quite lovely though I hope he still plays with the experimental side of music making as well, like the fantastic “Impossible Soul” from Adz. Clocking in at over 25 minutes and it’s an incredible song hat hits about every high and low you can imagine.

Bobby Solomon

January 13, 2015 / By

Tycho Makes A Mixtape for Vice

Tycho - Vice Mix

Was digging through Soundcloud this morning and stumbled upon this mixtape by Tycho which he created for Vice’s music blog, Noisey. It’s a really great mix featuring lots of my favorite artists like Jamie XX, Caribou, Apparat and lots more. Definitely some good tunes to work to.

Telefon Tel Aviv – “The Birds”
Apparat – “Arcadia”
Tstewart – “Untitled”
Bonobo – “Flashlight”
Jamie XX – “Girl”
Dreams – “Bloodsport”
Howlings – “Hearing Voices”
Jai Paul – “Jasmine”
Dusty Brown – “Hide No Signs”
Caribou – “Silver”
Blackhall & Bookless – “Kevins Spacey” (Virginia Remix)
Dauwd – “Moiety”
Beacon – “Fault Lines” (Dauwd Remix)
Spoon – “Inside Out” (Tycho Remix)

Bobby Solomon

January 7, 2015 / By

Holly Herndon’s “Chorus” Is My Type of Music

Holly Herndon

Music discovery has always been an interesting problem for me. I feel like my taste is pretty eclectic though these days I listen to mostly sort of abstract electronic music, a clear influence of my partner Kyle. So while browsing through Soundcloud, my now go-to location for finding new tunes, I was re-introduced to Holly Herndon’s track “Chorus”, a clipped up, distorted jam that in my mind clearly defines where my brain is at musically.

You can hear more of her brilliant music on her Soundcloud.

Bobby Solomon

November 7, 2014 / By

Tiga’s “Bugatti” Is A Commercial Break From Alternate, Sexy Dimensions

Tiga Bugatti Music Video 2014

Tiga may not be as prolific as we (Well, I.) would wish him to be but you have to hand it to the dude for sticking to a very strict aesthetic of high luxury circa futuristic 1986. He hasn’t released anything bigger than a single since his 2009 album Ciao! and, while Non-Stop is one of the best Acid House mixes in recent history, he still leaves you wanting more. Yet, when Tiga delivers, he delivers.

An example of this: his latest single “Bugatti” came out in July and offered a very Germanic, very eighties, and very contemporary fusion of Krautrock and Tech House. Just when the song was gathering a *thin* layer of dust, Tiga released one of his best videos yet that is like watching a mixtape of sexy late eighties commercials from an alternate dimension, where men receive ketchup bukkake treatments and women play backgommon on men’s crotches. Needless to say, some of this video is NSFW.

Directed by Helmi, it consists of quick cuts and dramatic shots edited to the metallic cadence Tiga bases the song on. It’s broken by shots of him in varying outfits shouting “BUGATTI!!” at the camera. Like the song, every “scene” picks up a different piece of debris that results in warping the reality of this eighties world: remote controls spit, sexy legs have lost their bodies, people turn to dominoes, etc. Helmi plays with a visual vocabulary over and over and over again, presenting them in different shapes and forms like parallel universes orbiting next to each other without noticing. The effect is hysterical and absolutely ridiculous—and absolutely Tiga. As the song’s lyrics suggests, the Bugatti at one point was the car to have if you are a macho, aggressive, power suit wearing, ski lodge loving dude who works in finance: the video is a parody of that.

While some has branded the video as “Wes Anderson Movie On Techno And Acid,” I say it’s more of a commercialist fantasy where Tiga gets to grab the tits of models from Esprit commercials while drinking Cold Duck. It’s a fitting follow up to the swank still “Plush” and cable access kookiness of “Shoes.” This is undoubtedly the video of the year. Or 1986.


October 24, 2014 / By

Kitsuné Sheds Light on Fresh Talent with Kitsuné Maison 16


I have a special place in my heart for Kitsuné—years ago the label’s flagship compilation releases turned me onto entirely new genres of music. Their “Sweet Sixteen Issue,” the sixteenth iteration, is due out November 3rd. To celebrate, they’ve enlisted the likes of 23 different illustrators to come together in reimagining the series’ familiar album artwork. It’s a switch up for the music label/fashion brand/design shop, but certainly a welcomed one that’s sure to put a spotlight on a bunch of talented individuals.


Under the impulse of Gildas Loaëc and Masaya Kuroki, Maison Kitsuné was founded back in 2002. A trip to Japan inspired the two to unite their passions around a wholly single concept: a structure of multiple guises, combining fashion, music, and design. Since then they’ve firmly established themselves as a unique concept of trendy and modern luxury intermingled between fashion and music. Their boutiques now span from New York, to Paris, and Tokyo. Most recently they rocked the New York Fashion Week with their ‘Effortless French’ campaign and have begun opening cafés in France and Japan.


2005 saw the release of their first Compilation Kitsuné Maison. These mixes quickly came to people’s attention by signing the talent of artists like Simian Mobile Disco, Hot Chip, Two Door Cinema Club, Gossip, Digitalism, Cut Copy, and many more. To me, they’ve got an ear for upcoming talent and usually bring them to the scene before anyone else.



The music’s great and all, but what immediately managed to capture my attention about the compilation releases was the artwork. Created by co-founders, Åbäke, it’s visually simple but extremely striking. Save for some divergences here and there, the releases always feature the familiar line-art featuring the illustrated faces of that release’s musicians. Hey—if it’s not broke, don’t fix it, right?


This year they’re switching the artwork up with fresh new work composed of drawings by 23 exciting new illustrators scouted by the label. Each artist was founded on Instagram and asked to illustrate, in their own way, one of the sixteen musicians featured on the mix. Loaëc states “Maison 16 is more gentle and tender than its predecessors… [It’s] constantly morphing into new shapes and ideas.” Kitsune-Covers-6

You can view the complete artworks, as well as find links to the artists’ Instagrams, here. Come November 3rd you’ll be able to purchase the release here. Kitsune-Covers-7

Nick Partyka

October 23, 2014 / By

Take A Sip Of The Debut Release From Gene’s Liquor

Laurent Gene's Liquor Delroy Edwards Los Angeles

Gene’s Liquor” sounds like a reference your mother would make regarding your Uncle Eugene’s drinking habit. Yet, that is probably the exact opposite of what Gene’s actually is: it’s a Los Angeles based collective focusing on retro leaning deep house. The debut release from Laurent (better known as IVVVO) is certainly intoxicating a simple statement of a back-to-basics approach to contemporary dance.

The release—GL001—is just three unnamed songs. The first track has made it’s way out into the world and it’s a song full of rattling attitude based in a basic back beat that last the entire song, framing handclaps, drum cues, knotted bass hits, light cowbell, high hat, and more. The influence of jazz is definitely present from the makeup of the song but it has been funneled through a Detroit vision of early techno. It ultimately lands among new house classicists like Medlar and Andres, which is a very, very good place to be in.

If this is your type of sound, Gene’s Liquor is a new label to bookmark then: they’re going to keep pumping more shit like this out. Moreover, you should also look into Delroy’s other label LA Club Resource. Catch “Untitled 1″ below.


October 22, 2014 / By

Nicholas Krgovich’s ‘On Sunset’ Is A Record That Encapsulates Los Angeles

Nicholas Krgovich

When you’re a guy like Nicholas Krgovich you’ve had a very interesting career. He made a name for himself with acts like P:iano and No Kids (who I put on this mixtape 5 years ago), though for me it was his appearance on Casiotone for the Painfully Alone’s track “Old Panda Days” that really sold me.

Now he’s back with a new solo record On Sunset which I’ve had on repeat for the past week. It’s a record about Los Angeles which in many ways sounds like Los Angeles and that numerous musical styles that have come from here. If I had to sum up the sound the record in one sentence I’d say it sounds like Jens Lekman tinged with R&B and the lyrical structure of 90s gangsta rap. Sounds crazy right? If you listen to Let’s Take The Car Out, the fifth track on the album, you’ll hear a distinct 90s way of presenting the lyrics yet it’s backed by elegant strings and a graceful piano.

I’m surprised that no one has picked up on this album yet, it might be the dark horse of 2014, but it’s certainly going to be in my top favorites.

Bobby Solomon

October 15, 2014 / By