How do you illustrate the feeling of anticipation? Perhaps sweaty palms or a perspiring brow? That’s not exactly the most… appealing, of imagery. Aaron Tilley and Kyle Bean though have come up with a refined, almost elegant way of portraying this haunting emotion for a recent issue of Kinfolk. They’ve put together a series of common objects and placed them in high-stress vignettes. You know what’s going to happen in each, the inevitability strikes you instantly.
You can see more images from the shoot and read the article by visiting Kinfolk here.
Steering the site toward a food and drinks from a design angle, I set up a simple rule: don’t post restaurant reviews or recipes. I’m skirting close to my rules by writing about a site I recently came across called These Pour Souls. The Idaho based site shares drink recipes that are exemplified by some absolutely stunning photos, such as the Blue Moon you see above. Cocktails seem to be posted about a once a week so I’d recommend you follow them on Instagram to keep updated.
Milanese photographer Lorenzo Pennati caught my eye as I was browsing the other day with his uniquely detailed style. I would describe what he captures as extremely posh, upscale lifestyle situations, which defy reality entirely thanks to some fantastic stylists. That’s the entire fun of his work though! There’s so much going in the frame, a multitude of patterns and objects that your eyes dance across his imagery.
The images here are from a “Gardening Style” spread for Marie Claire Maison Italy that I particularly liked. The muted palette of sea greens and blues paired with cremes are an absolute joy. I would love to live in a plant filled loft like this.
Oxford born, New York based photographer Joss McKinley makes a lot out of a little. That is, he takes photos that seem simple in nature but are in fact filled with nuance, extremes of contrast, and rich depths of color. I see McKinley’s work focused on capturing and isolating certain aspects of life itself. People, food, animals, and plants are all treated with a sort of dignity, their individual aspects of beauty highlighted for the viewer to take part in.
Taipei based photographer Sydney Sie sees the world very differently from you or I. She describes her own work succinctly, stating, “I want my works to be bright but eerie, and include aspects of graphic that particularly interest my such as colour. I like to capture surreal moments, but those moments or atmospheres I created through different analogue and, or digital approaches.”
Look through more of Sydney’s work on her portfolio site.
At a certain time of day, usually in the afternoon, both of my dogs get up from a nap and stretch in unison. They do not plan to do this together but they do on several occasions. It’s a remarkable little sight that always reminds me of two little people bowing: it makes me feel like a king. Unfortunately, it is almost impossible to photograph this despite my best efforts. They are either not standing next to each other or it’s too dark. More often than not, the scene is too fast and my timing too imperfect: it is a moment I will just have to explain to people.
This is why photographer Tao Liu is particularly special: his work the result of pressing the capture button at the right time. Be it out of waiting or being really good at knowing when to take a photo, his photography is exciting in that it points out how ridiculous the most mundane shit in life can be. His photos are funny and relatable and, as you can see on his Flickr, quite abundant.
According to Peta Pixel, Liu is fairly popular street photographer in China—where he lives—and is a self-taught artist. His photography and style are born from his (assumed) former job as a water meter reader. He would take photos of little things that caught his eye on breaks and when walking to or from work. Obviously what he saw has hit something very relatable as he has become incredibly popular at pointing out life’s little idiosyncrasies.
If you recall almost a year ago, we shared similar work by photographer John Goldsmith. Both artists point out how ridiculous life can be and that, if you stop to take the time or simply look at something another way, you can have a good laugh at it. And, again: photography like this relies on expert timing. If I had an ounce of Liu’s capturing capability, I’m pretty sure I would have a pretty sweet double downward dog bowing photo Instagrammed by now.
Camouflage has always been intriguing to me. It was created as a natural defense mechanism though these days it’s more widely seen as a trendy fashions statement. Photography Lucia Fainzilber sees it in yet another light, a means to create a dialogue through art.
Fainzilber has always had a keen interest in fashion, and dressed flamboyantly even as a child. Now the artist, who also works as a fashion photographer, uses her images to show the ways we use fashion to convey identity, and the way fabrics can simultaneously cover us and express who we are. Fainzilber recognizes that sometimes clothing completely hides our identity, and many of her portraits communicate this feeling, as her own identity is entirely concealed, and further obscured by the world around her.
You can read more about her work on Artsy.
It’s pretty astonishing that, as of a few hours ago, the European Space Agency was able to land a robot on the surface of a comet. A mission 10 years in the making, the team’s Rosetta spacecraft successfully placed the Philae lander on to the Comet 67P/Churyumov-Gerasimenko, which is moving at 34,400 miles per hour (that’s 45x the speed of sound). The New York Times has an incredible gallery of images (like the one above) which shows the approach of the satellite to 67P which have been blowing my mind.
I also think it’s pretty funny that the comet is shaped like a duck, sorta.