The Fox is Black

  • A+ is the studio of Graham Bradley, who describes the practice as “a design and technology studio that creates type.” And as it turns out, they’re one of my favorite studios, I just didn’t realize it. So there’s this restaurant called Bell’s located in Los Alamos, a small town in the middle-ish of California’s, roughly 2.5 hours north of Los Angeles. Owned by Daisy and Greg Ryan, Bell’s holds. special place in my heart because the food, service, and experience of eating there, are all incredibly thoughtful. A small but important aspect of said experience, is the branding, which is where A+ comes in.

    Bell's in Los Alamos, branding and lettering by A+ Studio
    Bell's in Los Alamos, branding and lettering by A+ Studio
    Bell's in Los Alamos, branding and lettering by A+ Studio
    Bell's restaurant, Los Alamos - Deviled Egg with Sea Urchin and Caviar


    The look and feel of Bell’s branding is French by way of California (which is also how I would describe the food). A+ created a bespoke typeface, charmingly named Henri, as well as a number of custom logos, a flexible menu system that can accommodate new items, as well as some cutie illustrations that bring the brand some extra personality. It all feels haphazard in the best way, like an eclectic assortment of items you’d find at a French brocante.

    A+ also ended up working on Daisy and Greg’s other restaurant Bar Le Côte, a seafood tavern in Los Olivos that they opened along with co-owner and executive chef Brad Matthews. It’s like the eclectic, kinda zany cousin of Bell’s, and the vibe of the interiors and the branding help to communicate that.

    Bar Le Cote in Los Olivos, Branding and Lettering by A+ Studio
    Bar Le Cote in Los Olivos, Branding and Lettering by A+ Studio
    Bar Le Cote in Los Olivos, Branding and Lettering by A+ Studio

    The type work here astounds me, especially as A+ was able to create a dynamic typeface that can also be reorganized into a “wordmark built from geometric, Art Deco letterforms, stacked together like a set of blocks.” I hadn’t seen this animation until I found A+ and it’s so remarkable to see all the letters come together so nicely like that.

    The work Graham is doing is so inspiring and varied. He also recently worked on the new logo and typography for wework, and even an amoeba/bacteria inspired typeface that’s so blobby and beautiful.

  • Gretel may have pulled off one of the strongest brand identity redesigns of the year. They have managed to Mountain Hardwear, a mid-90’s granola-feeling outdoors brand, and made it feel like a cutting edge tech outerwear company, all without losing it’s primary identity. This is no small feat. Gretel worked closely with Mountain Hardwear to create an all-encompassing brand identity that captures the perfect balance between being wild and wise.

    Gretel's visual identity rebrand for Mountain Hardwear
    Gretel's visual identity rebrand for Mountain Hardwear


    Let’s start with the logo and typeface they created. It’s incredible to me that they were able to keep the look and feel of the original logo, that sort of clunky yet charming 90s energy, without it feeling off or wrong. They then worked with SuperContinente to develop a typeface inspired by “hard outside with a soft interior, which was a reoccurring theme in wood type from the late 1800s.” Because of course! And thanks to an expanded color palette, the brand now feels bold, tough, and adventurous, like it could tackle anything, which is the point.

    There’s a true sense that the team at Gretel had so much fun working on this project, and that the folks at Mountain Hardwear truly trusted them. The rebrand is totally comprehensive, from soup to nuts (get it?) and there doesn’t seem to be any detail that wasn’t considered.

    Gretel's visual identity rebrand for Mountain Hardwear
    Gretel's visual identity rebrand for Mountain Hardwear
  • Award-winning Studio Bruch is an Austrian studio specializing in creating visual design concepts and strategies for branding, editorial design, packaging, and signage, both in analog and digital formats. They recently completed a branding project for a carpentry company called Hea.

    Studio Bruch Builds A Strong Brand for Carpentry Company, Hea


    Bruch created custom-made lettering and type design that aims to combine contrasting elements such as angled and round, hard and soft, to showcase the creative possibilities of working with wood. The typefaces are based on the simplified form of a wooden board, creating a cohesive and intelligent approach to the brand. This design also aligns with the company’s claim that “Everything is built on wood.” Further, the brand is enhanced by warm and atmospheric imagery that really gives it a modern and timeless feeling.

    For me, I’m so impressed with how effective the type is with such a simple concept. The way the joints of the letters connect really gives that feeling of wooden boards coming together, and they even remind me of the curves of the iconic Thonet 214 chair. The color palette is also really doing it for me, love the muted greens and golden amber tones paired together. One of my favorite branding projects of the year, for sure.

    Studio Bruch Builds A Strong Brand for Carpentry Company, Hea
    Studio Bruch Builds A Strong Brand for Carpentry Company, Hea
    Studio Bruch Builds A Strong Brand for Carpentry Company, Hea
    Studio Bruch Builds A Strong Brand for Carpentry Company, Hea
  • I think it’s so special when someone is able to develop a brand identity that looks how something would feel. Case in point, this season’s look and feel for the Théâtre des Salins developed by Image Format. Now, these days, gradients are everywhere, it’s literally impossible to avoid them at this point. Though in this case I love what Image Format has done, giving the impression of time and seasons shifting, or that’s how it reads to me personally. And the typeface they’re using, Baste, has such an eclectic look, like a silly, rounded monospace, which feels retro and quite contemporary.

    Image Format Creates a Spicy Identity for This Year's La Saison
    Image Format Creates a Spicy Identity for This Year's La Saison
    Image Format Creates a Spicy Identity for This Year's La Saison
    Image Format Creates a Spicy Identity for This Year's La Saison
  • My love for food-related branding is unending, and when I spotted this work from Humid Daze, I was immediately a fan. Humid Daze is a one-man design studio helmed by Sean Jones, a designer and illustrator based in Atlanta. The work he did for Deeply, a cafe and bottle shop in Florida, is clean and timeless, using elements of sans serif type paired with hand drawn elements. It’s all so crisp and clean that you can’t go wrong, and in the end, it allows the coffee to shine through clearest. I feel like everyone could use a little spot like this in their neighborhood.

    Deeply Cafe & Bottle Shop branding by Humid Daze
    Deeply Cafe & Bottle Shop branding by Humid Daze
    Deeply Cafe & Bottle Shop branding by Humid Daze
    Deeply Cafe & Bottle Shop branding by Humid Daze
  • The folks at Studio MPLS are always up to something cool, creating some of the most striking branding and packaging designs out there. For example, their work for River St. Joe is one of my favorite projects, ever. Most recently, they released new work for Sola Coffee Co, a coffee shop opening soon in the northern part of Minnesota.

    The system they built for the brand seems pretty flexible, utilizing either three or four typefaces (and some varying weights) and a seven color palette, which they’re able to bend in a number of directions. I’m such a fan of a type-based design systems, and I think they’ve made a lot of smart choices with the contrast between each. Just enough personality and quirk to be ownable without feeling whacky (in a bad way, whacky can be great). Most importantly, in my opinion, is it’s sense of timelessness. I write about this a lot and I do think it’s a good marker of strong design, especially in regards to product packaging and identity.

    Sola Coffee Co branding and packaging by Studio MPLS
    Sola Coffee Co branding and packaging by Studio MPLS
    Sola Coffee Co branding and packaging by Studio MPLS
    Sola Coffee Co branding and packaging by Studio MPLS
  • While roaming around Cadaqués I kept noticing some amazing type and lettering around the city that I wanted to share. There’s such a charm and beauty to the handmade quality of each. I really appreciate how many of the things I found were created out of creative spontaneity or necessity. A massive slab of rock with words written in chalk or branches painted black to spell out the name of a restaurant. It’s inspired me to pick up a brush and start working with ink again.