Beautifully shot, time-lapse videos of nature are fairly common these days. With digital video cameras getting more and more powerful it’s more about having the will and taking the time to create a beautiful project than the lack of tools to create it. So I wanted to find something that was a little bit different from the rest, and I think Glen Ryan may have created the perfect thing.
It’s pretty crazy to think that Street Fighter is 25 years old. It’s one of the oldest video game franchises that’s still running with basically very few core changes to it. Sure, the graphics and fighting abilities have gotten better and more complex, but it’s still basically two people fighting it out in the street.
What if, on any random day, you were suddenly strike by a giant meteor… that no one saw? And let’s say the meteor spatially moved your physical form 91cm away from where it should be? Would anyone believe you? Or would everyone think you’re crazy?
That’s the idea behind this short film by Jeremy Clapin called Skhizein. It’s kind of an odd story, but that’s also why it’s so charming. Plus the animation is extremely well done, especially the details of the main character charting out his perceived world in his apartment. Just watch it, you’ll understand.
This is a little overdue but if you haven’t seen Ben Barrett-Forrest’s “The History of Typography” video, you must. I came across this video a few months ago and promptly proposed to him via Twitter out of nerdy adoration. (He said yes!)
The Canadian designer and self-proclaimed type nerd, decided the world was lacking in good typography videos. Over 140 hours, 291 paper letters and 2,454 photographs later, he’d filled the void. Barrett-Forrest used traditional stop-motion techniques to illustrate how printed type came to be and how it has evolved since its start. The video gives background to italics, serifs and various categories of sans. The video felt like a condensed version of Simon Garfield’s Just My Type to me and will make for a great tool in beginning typography and design classes.
This is a short animation by Irish designer Max Halley who turns a simple countdown into a something quite charming. I love how he imbued each number with a unique personality, and the transition between each digit is spot-on.
Lately I’ve been thinking a lot about time. I’m sure I’m not the only one. I imagine everyone has those moments of existential panic where they worry that soon everything will trickle away. Perhaps you’re concerned that you’ve made the wrong decisions in life or maybe you’re worried that the older you get the less options you have in front of you. It’s a dark and worrying concern but it’s also a healthy part of being human. I like to imagine it’s what keeps us on our toes.
I’m not the only one concerned with my life slipping away. In fact, the British animator Mikey Please was so concerned about our quickening perception of time that he created an incredible animated short about it. The resulting film is an absolute triumph and a definitive ‘must watch’.
You’ve gotta love Spike Jonze. He’s back with a new film called Her, about a lonely man named Theodore Twombly who finds companionship in a futuristic, Siri-like operating system. I love everything about this trailer – the cast, the music, the cinematography – I think it’s going to be a gem.
Set in Los Angeles, slightly in the future, “her” follows Theodore Twombly, a complex, soulful man who makes his living writing touching, personal letters for other people. Heartbroken after the end of a long relationship, he becomes intrigued with a new, advanced operating system, which promises to be an intuitive entity in its own right, individual to each user. Upon initiating it, he is delighted to meet “Samantha,” a bright, female voice, who is insightful, sensitive and surprisingly funny. As her needs and desires grow, in tandem with his own, their friendship deepens into an eventual love for each other. From the unique perspective of Oscar-nominated filmmaker Spike Jonze comes an original love story that explores the evolving nature—and the risks—of intimacy in the modern world.
Lately I’ve been running into a lot of interesting examples of typography so I thought I’d put together a single post that showcases three interesting type endeavors.
The first is a new typeface called Archive created by London based designers, Colophon. What I love about Archive is that it feels like a familiar, Roman style font but has a lot of great little details. The lowercase e’s feel open, kind of like they’re smiling, and the shoulders on the h’s and n’s have a nice, wide stance that really make them stand out.
Late last year I managed to catch Conor Finnegan‘s excellent short film Fear of Flying at a small festival in Dublin. Ever since seeing it I’ve been wanting to share it with you guys and fortunately Conor posted it to Vimeo just a couple of days ago.
Fear of Flying tells the story of Dougal, a bird with a rather unfortunate fear of – you’ve guessed it – flying! With winter quickly approaching, our feathered-friend decides he’d rather avoid the journey south and instead he battens down the hatches while his friends move south to enjoy the warmer climate.
“This? is some serious computer generated porn,” DallasCharter says, a note that is the most up voted comment on the new Oneohtrix Point Never music video. The artist much like the video is synthetic. His name is barely able to be articulated without some rigorous athletics because, like his sound, his name is something you expect to be intimidated by: it’s a high end, brilliant, fusing of basic techy concepts with a sublime slant. OPN’s aesthetic is a gold plated Casio. His newest music video feels like this too.
Directed by video maker, tech experimenter, and one of my favorite all time artists Takeshi Murata, the music video for the song is an appropriate mashing of the real and fake and real fake real. “Problem Areas,” the first song off of OPN’s latest single R Plus Seven and his first Warp release, is a typical OPN song highly polished and meditating on a simple chord structure beaten with plain bass and funny synth notes. Like the song, the video is completely artificial. Outside of the human hand pounding a musical or computer keyboard, nothing is actually made by hand: it’s made with a hand and executed by a computer.