Terms like “food porn” may have passed their heyday, perhaps “_______ porn” is a passé phrase anyhow, but it felt apropos for this short spot for Marks & Spencers by foodfilm. The piece employs time-lapse to great effect, showcasing the process of a meal, lots of macro close-ups so you truly connect to the food, plus high-contrast lighting which makes the food look fresh and delicious. Tying the whole video together are the hyper-cuts utilized which both unifies and invigorates the work, giving it a frenetic energy that you can’t turn away from.
If you enjoyed this be sure to check out the rest of food film’s work on Vimeo.
The new episode of True Detective premiered last night and with it, a beautiful opening title that helps to set the tone and mood of this new universe. A washy mix of Los Angeles imagery and the A-List talent that stars in the show, the intro was masterfully constructed by Elastic, a graphics studio out of Santa Monica, CA. You probably know their title design work from shows like Halt and Catch Fire, Daredevil, and last year’s gorgeous Academy Awards. Watch it below.
Being a science fiction fan I can always appreciate the concepts of people who envision the future. This is especially true of Wanderers, a short film crated by Erik Wernquist that explores what our future expansion into the Solar System could look like.
Although admittedly speculative, the visuals in the film are all based on scientific ideas and concepts of what our future in space might look like, if it ever happens. All the locations depicted in the film are digital recreations of actual places in the Solar System, built from real photos and map data where available.
There’s a subtlety to Erik’s film that sells it for me. While the locales are exotic the ships and suits are in the realm of believability. At parts it felt like it could be a poignant, artistic version of a Red Bull commercial, echoing the Stratos jump made by Felix Baumgartner.
I think the short beautifully encapsulates the ingenuity and creativity of man. If we can imagine incredible achievements such as these, why would they not be possible?
Portland based designer Aaron Draplin is well-known for his straightforward attitude and no-nonsense sense of design. You could even describe him as a “champion” for the design community, a person who has an immense output of quality designs, and by all accounts I’ve heard, one of the nicest and most supportive folks on earth.
Last week he took Lynda.com‘s logo design challenge, creating a really simple, strong mark in less than 10 minutes. He walks you through his process and his reasoning which gives you a fascinating look at how he gets from nothing to something. His confidence and the easy way he demonstrates his work makes you feel like you should go out and make 100 logos on your lunch hour. Love this guy.
Yule Log is a website composed of a collection of short films created by illustrators, animators, directors, and creative coders, that wants to bring back the age old X-mas tradition. The site’s creator, Daniel Savage, did a version last year as well which was equally great. I’d rather put one of these fine pieces of art on my TV rather than watch A Christmas Carol on repeat for 24 hours.
Below are a few of my favorites.
Dedicated to the analysis of film form, Every Frame a Painting is a fantastic series of video essays created by the filmmaker and editor Tony Zhou. As entertaining as they are insightful, his series of videos may well be one of my favorite discoveries on the internet.
Running for between 5 and 8 minutes, each video focuses on one filmmaker or one aspect of film form. While some people may feel that film form is quite a dull subject matter, Zhou’s essays are well and truly the opposite of this. They’re fun, engaging and informative.
Take for example texting and the internet in cinema. While we may be living in a digital age, film still seems to be somewhat ineffective in depicting this world on screen. In Zhou’s essay on the subject he presents us with how cinema has approached this conundrum and questions if a solution to their problem may lie not in its content, but in form. Check it out below and I’m sure you’ll see exactly what I’m talking about:
Other topics have ranged from Steven Spielberg’s use of the long take to Satoshi Kon’s unique editing style. I particularly enjoyed his examination into the work of Michael Bay. As one YouTube commenter put it “now I can hate his movies in a more intelligent way”. It’s a great analysis and well worth watching:
Perhaps Zhou’s most successful video to date has been his analysis of Edgar Wright’s approach to visual comedy. In his essay, Zhou looks at how the filmmaker consistently finds humor through framing, camera movement, editing, sound effects and music. Its a wonderful insight into how well designed Wrights films are, and Zhou does a fantastic job of articulating exactly how great Wright is as a director.
If you’re a fan of Tony’s work and you’d like to see his series continue you can support the project over on Patreon. If you’d like to see more from the series make sure to subscribe to his channel over on YouTube.
There’s something quite ethereal in the way that Morgan Maassen shoots water. The California native is a passionate surfer and through his photography he has earned himself great recognition within the surf world. Morgan describes this video as a “brief odyssey into the world that i cherish most” and it’s clear to see that love shine through.
Shot on a Red Epic inside an SPL waterhousing, the four-and-a-half minute piece was filmed in Teahupo’o off the south-west coast of Tahiti and along the north shore of Hawaii. They’re stunning locations and Morgan’s camera work really present them as dream-like places. I found the whole piece to be utterly mesmerizing.
For those interested, the track in the video is called “Shopping Malls” and it’s from the New Zealand based six-piece SJD. More work from Morgan Maassen can be seen on his website.
The more digital our lives become the more we start to value the things that are made by hand. Mike Heist is a beautiful example of this, a Portland artist who has been working with neon for over 30 years.
The Pressure, the studio of Adam Garcia, produced this video of Mike, showcasing his fascinating process. The sign, designed by Garcia, was a component of the event branding for the AIGA Portland event “Design and Happiness,” a lecture by Stefan Sagmeister during Design Week Portland.