Raphael Vangelis, a London based director, created this super inventive video titled Analogue Loaders which brings the digital concept of waiting into a fantastic physical world. His reason for creating it? He feels like it’s how he spends his life.
This short film is my animated autobiography. I spend most of my life swearing at the computer because it’s crashed or isn’t working. Here, well known digital symbols are turned into something analogue and playful. The result is an homage to all the lost time we collectively spend in digital limbo in the hopes of sudden development on our screen.
There’s also a behind-the-scenes look at how he and his team made the video, which was a much more arduous process than I would have imagined. A majority of the elements were 3D printed, assembled, captured via stop-motion and then all sorts of digital video apps to create that handmade vibe of the video. I’m so curious to know just how long this video took to make. I feel like it had to take months, right? I think it was worth the effort but I personally wouldn’t have the patience to make something like this.
At this point there’s a documentary about nearly every topic. And now, thanks to Netflix, design is continuing to become more mainstream. Sure, we have Gary Hustwit’s documentary trilogy of Helvetica, Objectified, and Urbanized. Outside of Helvetica though, they mostly played to those particular audiences.
Abstract: The Art of Design, will be a documentary series that focuses on a wide variety of creatives (think Chef’s Table but for design) which Netflix describes as showcasing “their creative process, explore their work, and discover how their innovative designs have profoundly affected our every day lives.” Featured in the series is Paula Scher, Christoph Niemann, Platon, Tinker Hatfield, Ralph Giles, Bjarke Ingels, Ilse Crawford, Es Devlin.
It’s a pretty phenomenal line-up, but I find it interesting that there are some folks like Bjarke Ingels who I’d classify as an architect, not a designer. Same with Christoph Niemann, phenomenally talented but I’d certainly put him more int he camp of illustrator. Either way, it’s great to see creatives in our line of work being highlighted in this way. Hopefully the show is a hit and we get several seasons to enjoy.
Since 1991, Mark Pritchard has been making genre-spanning electronic music that ventures from House, to Ambient, to Drum and Bass. His most recent effort Under The Sun was aptly described by Pitchfork as “deeply atmospheric and richly impressionistic, Under the Sun is an easy album to disappear into.” The album feels like science fiction journey with moments of wonder and mystery.
The music video for “Beautiful People” is a perfect manifestation of this feeling. The song features TFIB favorite Thom Yorke, both vocally and as a transcendent robotic spirit wandering a seemingly deflate landscape. Director Michal Marczak has truly encapsulated the feeling of the album into six minutes of visual narrative.
The house LaBeija still lives on, thankfully, as evidenced by this music video for Pillar Point which features Kia LaBeija representing her House marvelously, dah’ling. Watching someone vogue is always entrancing. There’s such a fluidity and poise to the act, like a form of ballet that was born from a queer place. Setting this intriguing dance against the lush, color-filled streets of Bogotá and you’ve got a music video you can’t take your eyes off of. I’m so glad to see
Editor’s note: I do realize that my writing has been sporadic lately. I’m hoping to get back into it with more regularity.
The mundaneness of repeating task is often tedious, but what if it was actually something beautiful? Perhaps this is Moli Studio’s take on the matter? Their video Endless takes a mono-colored world and adds in a series of machines which perform random tasks. In the context of the video though they’re oddly hypnotizing.
ENDLESS is a story about seeking and not finding.
It’s the mechanized routine.
It’s to get up, go to work, eat, fall in love, buy, throw, fall out of love, accept, sleep, wake up.
ENDLESS is a story about seeking and (not) finding.
Lavender. It’s an incredible scent and color that’s unfortunately been abused by corporations, perverted into abysmal scents that linger in an Airwick “air freshener” or mangled into a dryer sheet. Lavender is an incredibly vivid plant that, when seen en masse, is actually quite stunning. Back in July, Stories In Motion filmed the lavender fields of Provence with stunning results.
What you see here is a *single* day of shooting with the DJI Phantom 3 by Joshua Karthik! This is the very first day we flew this amazing little quadcopter which in its 3rd iteration has revolutionised the way aerial cinematography is done – it is quick to set up, painless to operate and delivers mind blowing results.
If you’ve followed the site for a while you’ll know my favorite artist/designer is Geoff McFetridge. He’s been an inspiration to me since the early 2000’s and his style and aesthetic has certainly influenced my own. Monster Children sat down with McFetridge to speak about his past (working with Girl Skateboards, Grand Royal magazine, and XLarge) his process (which is extremely process driven and a bit OCD) and the themes that continue to show up in his work over and over.
After watching this all I want to do is draw and paint.
Terms like “food porn” may have passed their heyday, perhaps “_______ porn” is a passé phrase anyhow, but it felt apropos for this short spot for Marks & Spencers by foodfilm. The piece employs time-lapse to great effect, showcasing the process of a meal, lots of macro close-ups so you truly connect to the food, plus high-contrast lighting which makes the food look fresh and delicious. Tying the whole video together are the hyper-cuts utilized which both unifies and invigorates the work, giving it a frenetic energy that you can’t turn away from.