Eero Saarinen, famed architect and industrial designer, is well-known for the TWA Flight Center at JFK, a futuristic looking terminal that still stands as an iconic masterpiece. These days the space is no longer open to the public, yet photographer Max Touhey was given access to document the space, which surprisingly is still in amazing shape. Curbed NY has his collection of photos which highlight so many of the beautiful details of the space, which supposedly will be transformed into a 500 room hotel by JetBlue. This news may not please everyone though I’m happy to hear that people may yet again regularly inhabit the space.
If you’ve followed the site for a while you’ll know my favorite artist/designer is Geoff McFetridge. He’s been an inspiration to me since the early 2000’s and his style and aesthetic has certainly influenced my own. Monster Children sat down with McFetridge to speak about his past (working with Girl Skateboards, Grand Royal magazine, and XLarge) his process (which is extremely process driven and a bit OCD) and the themes that continue to show up in his work over and over.
After watching this all I want to do is draw and paint.
A couple years ago Kiernan Flanigan released a minimal app version of the card game Hearts that I was a big fan of. I hadn’t played the game in years but I was immediately sucked into the app, playing it while I was bored in line or waiting for meetings.
Cut to now and Flanigan is now back with a similar approach, a simplified version of solitaire called Solitaere (I don’t know why it’s spelled incorrectly). This version takes advantage of the verticality of the phone, displaying your stack of cards in a device appropriate manner, though quite different from the traditional manner. If this new way is simply too much, you can unlock your orientation and turn your device to the side, giving you something close to the old fashioned way.
My only complaint is that you’re only allowed to play it with a three card draw, rather than 1 card at a time, which is much easier, thus more fun. That said it’s still nice to see an old game get a bit of life brought back into it.
I can’t say I’m often wowed by flatware. Forks and knives and spoons are supernormal items that we tend to overlook day to day as they serve such a basic purpose. Can you think of the last time you were impressed by our place setting?
The new episode of True Detective premiered last night and with it, a beautiful opening title that helps to set the tone and mood of this new universe. A washy mix of Los Angeles imagery and the A-List talent that stars in the show, the intro was masterfully constructed by Elastic, a graphics studio out of Santa Monica, CA. You probably know their title design work from shows like Halt and Catch Fire, Daredevil, and last year’s gorgeous Academy Awards. Watch it below.
There’s a lot fuss in the realm of food and drinks, particularly around the idea of the “proper way” of doing thins. The “proper way” to make a Manhattan. The “proper way” to make sushi. I think we’re living in a fantastic time where we can throw the “proper way” out the window and embrace new ideas. A perfect example of this is Underwood, a canned wine produced by Union Wine Co. out of Oregon. Should wine be served in a can? Is canned wine better? I believe those questions are irrelevant. After having a can of the rosé over the weekend I can tell you the following: drinking wine from a can is awesome.
First, there’s the advantages in form, like how the can helps the wine stay cold longer, something I hadn’t thought of. It’s also really easy to drink in public as most people think you’re drinking a Diet Coke. It’s also worth remembering that an aluminum can holds 375ml so you’re drinking half a bottle of wine per can. That’s no joke.
Second, but most importantly, is the flavor of the wine. Union Wine Co. started in 2005 as an effort to make wine accessible, that it didn’t always need to be extremely expensive. I’m certain if I poured you a glass of the rosé and tell you it came from a can you would have no idea whatsoever. It was crisp, it was dry, and it was perfect for an 85º summer day.
There are cool looking bikes and then there’s the BME B-9 NH Black Edition, a carbon fiber bicycle who’s design was inspired by the coolest looking plane ever, the F-117 Nighthawk. Creating this incredible bike means all custom everything including a carbon fiber frame and fork, a one piece carbon stem-handlebar, BME Design’s unique carbon S72 Saddle system, and CNC machined alloy cranks custom designed for the B-9 NH.
I love seeing the design of bikes shifting this way. With the ability to 3D print with carbon fiber currently being developed a bike like this could be put together in a day IKEA style, the folks at BME simply supplying the template and directions. Unfortunately that’s not the case currently, with the B-9’s price tag coming at the tune of €7800, as only 100 are being produced. Still, it’s a stunning fusion of design and technology that warrants such a cost as there’s nothing else out there as sleek as this.
There’s a particular sound of electronic music that I’m attracted to these days, which is a lot less melodic and much more abstract, and the most recent Nicolas Jaar EP really defines this aesthetic for me. Titled Nymphs II, these two songs are a 15 minute journey in sound which covers such a wide spectrum, culminating in the second track which has a steady backbeat layered with haunting vocals. If you’re interested in hearing more from Jaar I can recommend this mixtape as well.