Cindy and Cristian Candamil, brother and sister duo behind the label Candamill (read: not Canada Mill) are heading into their sixth season with some impressive work. Born to Colombian parents and raised in Queens, New York, Candamill interprets their aesthetic as “New Mid-Century” with a lens that finds opulence in simplicity.
I never post about woman’s bags but the form of their Untitled clutch (above) caught my eye with it’s striking design. I enjoy the duality of the bag, a soft, Cathedral Blue Italian leather that’s guarded by a brutalist, hand-crafted brass frame. This clutch quite literally stands on it’s own.
I have a problem with buying art. My problem is, I don’t have enough room on my walls anymore. That’s why coming across the fine art pieces of Nigel Evan Dennis was additionally problematic. His work, a sort of juxtaposition between organic shapes in a digital landscape, is immensely beautiful and captivating. The lovely gradients and the particles floating above them are like a petri dish on an acid trip, and I want them all. He has 12 prints currently available for $100 each, go check them out.
It’s not often that a children’s toy grabs my attention but Mister Alphabet is different. Created by Marshall & Haley Roemen, the figurine was designed to bend into every letter of the alphabet while also providing a creative outlet for kids to play. I personally like him because he looks a French mime who’s shoes I envy. The project is currently being Kickstarted, which you should totally support.
Last week I wrote about Daniel Arsham, one half of design/artist duo Snarkitecture, who this week have debuted their interactive installation The Beach at the National Building Museum. Instead of sand, you’re confronted with thousands and thousands of white balls with deck chairs set along the perimeter.
To me, the concept explores the space of art which is a public, mutually enjoyable experience. Rather than limiting art to sculpture or painting you get to be a part of a grander piece of work, much like what Tom Sachs did at The Armory or Urs Fischer at MOCA. The physical nature of the project is something that people can connect with and be a part of which might make a more meaningful impact on a person. You can see the manifestation of this on Instagram, with #thebeachdc having over 1,000 photos taken in 5 days, a very modern day metric of success. The art world can be so stuffy and staid and ideas like this will hopefully get more average people into museums and piss of the purist snobs.
Arsham summed up the project in a few words on his Instagram, simply stating “Reinvent the everyday,” which is a lovely way to think. On a side note, how great are these photos by Noah Kalina? He’s so good.
Eero Saarinen, famed architect and industrial designer, is well-known for the TWA Flight Center at JFK, a futuristic looking terminal that still stands as an iconic masterpiece. These days the space is no longer open to the public, yet photographer Max Touhey was given access to document the space, which surprisingly is still in amazing shape. Curbed NY has his collection of photos which highlight so many of the beautiful details of the space, which supposedly will be transformed into a 500 room hotel by JetBlue. This news may not please everyone though I’m happy to hear that people may yet again regularly inhabit the space.
If you’ve followed the site for a while you’ll know my favorite artist/designer is Geoff McFetridge. He’s been an inspiration to me since the early 2000’s and his style and aesthetic has certainly influenced my own. Monster Children sat down with McFetridge to speak about his past (working with Girl Skateboards, Grand Royal magazine, and XLarge) his process (which is extremely process driven and a bit OCD) and the themes that continue to show up in his work over and over.
After watching this all I want to do is draw and paint.
A couple years ago Kiernan Flanigan released a minimal app version of the card game Hearts that I was a big fan of. I hadn’t played the game in years but I was immediately sucked into the app, playing it while I was bored in line or waiting for meetings.
Cut to now and Flanigan is now back with a similar approach, a simplified version of solitaire called Solitaere (I don’t know why it’s spelled incorrectly). This version takes advantage of the verticality of the phone, displaying your stack of cards in a device appropriate manner, though quite different from the traditional manner. If this new way is simply too much, you can unlock your orientation and turn your device to the side, giving you something close to the old fashioned way.
My only complaint is that you’re only allowed to play it with a three card draw, rather than 1 card at a time, which is much easier, thus more fun. That said it’s still nice to see an old game get a bit of life brought back into it.
You can download Soliteare for $1.99 on the App Store.
I can’t say I’m often wowed by flatware. Forks and knives and spoons are supernormal items that we tend to overlook day to day as they serve such a basic purpose. Can you think of the last time you were impressed by our place setting?
That’s why I felt like it was worth writing about the Zermatt collection of flatware designed by Patrick Join ID for Puiforcat. The angular facets of these pieces are quite futuristic, especially when they’re photographed so beautifully as you can see above and below. The angular features remind of the stealth bike I posted about yesterday, so if you bought these plus that you’d probably be the most fashionable person around.
The new episode of True Detective premiered last night and with it, a beautiful opening title that helps to set the tone and mood of this new universe. A washy mix of Los Angeles imagery and the A-List talent that stars in the show, the intro was masterfully constructed by Elastic, a graphics studio out of Santa Monica, CA. You probably know their title design work from shows like Halt and Catch Fire, Daredevil, and last year’s gorgeous Academy Awards. Watch it below.
There’s a lot fuss in the realm of food and drinks, particularly around the idea of the “proper way” of doing thins. The “proper way” to make a Manhattan. The “proper way” to make sushi. I think we’re living in a fantastic time where we can throw the “proper way” out the window and embrace new ideas. A perfect example of this is Underwood, a canned wine produced by Union Wine Co. out of Oregon. Should wine be served in a can? Is canned wine better? I believe those questions are irrelevant. After having a can of the rosé over the weekend I can tell you the following: drinking wine from a can is awesome.
First, there’s the advantages in form, like how the can helps the wine stay cold longer, something I hadn’t thought of. It’s also really easy to drink in public as most people think you’re drinking a Diet Coke. It’s also worth remembering that an aluminum can holds 375ml so you’re drinking half a bottle of wine per can. That’s no joke.
Second, but most importantly, is the flavor of the wine. Union Wine Co. started in 2005 as an effort to make wine accessible, that it didn’t always need to be extremely expensive. I’m certain if I poured you a glass of the rosé and tell you it came from a can you would have no idea whatsoever. It was crisp, it was dry, and it was perfect for an 85º summer day.
Here’s what I recommend: Keep an open mind, buy a four pack for you and a friend, and enjoy a taste of the future.