You’ve Never Seen Anything Quite Like the Maps of Sohei Nishino

Sohei Nishino

For a number of years the Japanese artist and cartographer Sohei Nishino has been mapping the world’s cities. From Rio to London and from New York to Tokyo, his highly detailed maps serve up a unique portrait of some of the world’s most diverse cities. Consisting of thousands of cut-out snapshots of each location, the artist meticulously pieces together these images to form highly complicated collages that include everything from people and animals to buildings and streets.

Sohei Nishino

Sohei Nishino

Nishino takes literally thousands upon thousands of photos before he’s ready to begin his cartographic collage. Piece by piece he edits these images down until he’s selected just the right ones. Despite the editing, his final work can still include up to 4,000 photographs; each of these he hand prints and then cuts and collages them together to create huge compositions that reflect his personal experience of each city. It’s a remarkable process and the results really do speak for themselves.

Sohei Nishino

Sohei Nishino

For those in London, an exhibition of Nishino’s work entitled ‘New Dioramas’ runs at Michael Hoppen Contemporary until 7 January 2015.

November 10, 2014 / By

Is Banksy A Woman? An Interesting Perspective by Kriston Capps

Is Banksy A Woman? An Interesting Perspective by Kriston Capps

Kristin Capps writing for The Atlantic’s CityLab has a theory that Banksy is in fact a woman. Hadn’t really thought about it before, but perhaps Banky’s gender is the best scam that she/he has ever pulled?

During the very first interview that Banksy gave to The Guardian, another figure was present (“Steve,” Banksy’s agent). Another figure is always present, says Canadian media artist Chris Healey, who has maintained since 2010 that Banksy is a team of seven artists led by a woman—potentially the same woman with long blonde hair who appears in scenes depicting Banksy’s alleged studio in Exit Through the Gift Shop. Although Healey won’t identify the direct source for his highly specific claim, it’s at least as believable as the suggestion that Banksy is and always has been a single man.

“Since there is so much misdirection and jamming of societal norms with Banksy’s work, as well as the oft-repeated claim no one notices Banksy, then it makes sense,” Healey tells me. “No one can find Banksy because they are looking for, or rather assuming, a man is Banksy.”

As Capps also points out, much of Banksy’s work heavily features women, which if you compare to other male street artists, is something of a rarity. It’s by no means rock solid evidence, but it’s interesting as an anecdote to the mystery of it all.

November 7, 2014 / By

Matthew Feyld’s Paintings Prove That Colors and Shapes Are Sometimes All You Need

Matthew Feyld

Last week Bobby posted some truly fantastic looping illustrations from the American designer and illustrator Drew Tryndall. I loved them, and they’re bright colors and simple shapes kind of reminded me of this great work by the Canadian artist Matthew Feyld.

Made up of strong blocks of color and bold but beautiful shapes, there’s a naive simplicity to Feyld’s paintings which just works. Whether viewed on their own or viewed as a set, there’s something so perfectly direct about these paintings that I can’t help but love them.

Matthew Feyld

Matthew Feyld

In an interview with Little Paper Planes, Feyld discussed the inspiration behind the shapes and forms he uses in his work:

Some of them started as human figures, or day to day objects that over time have been stripped down and become less and less figurative. Others have come from excessive doodling. I’m interested in the relationships between shapes. And the spaces that those shapes inhabit. And the even smaller spaces between those shapes.

If you’re a fan of nice shapes, then I fully recommend you check out more work from Feyld.

Matthew Feyld

Matthew Feyld

You can view more work from Matthew Feyld on his website.

October 27, 2014 / By

Artist Luka Fineisen Brings Bubbles To The Gallery With A Beautiful Installation

'Bubbles' by Luka Fineisen

I know what you’re thinking and no, somebody hasn’t been blowing big bubbles in an art gallery! Sure I featured Nicholas Hanna’s incredible bubble devices a couple of weeks ago but these are very different types of bubbles. In fact, they’re not even bubbles at all, they’re beautiful sculptures made from plastic by the talented German artist Luka Fineisen.

'Bubbles' by Luka Fineisen

'Bubbles' by Luka Fineisen

Fineisen’s work is frequently interested in the scientific world, with her ambitious sculptural projects often investigating processes like thermodynamics and other similar instances of transitional found within nature. I love how she takes the ephemeral beauty of a bubble and then captures it to last forever. The results are rather striking and no doubt are even better in real life.

'Bubbles' by Luka Fineisen

'Bubbles' by Luka Fineisen

You can view a PDF of the artist’s work online here. Feel free to also thank me for not making a ‘pop art’ joke throughout this post!

October 10, 2014 / By

‘All the President’s Children’ – A New Series of Paintings by Jaclyn Conley

All the President's Children by Jaclyn Conley

All the President's Children by Jaclyn Conley

All the President’s Children is the name of a new series of paintings by the Canadian artist Jaclyn Conley. Beautifully loose with vivid colors, Conley’s work is just a joy to see. For Conley, her starting point is always photography and she is constantly in search of suitable images to use as starting points for her work. Through her collecting and archiving of old images she then begins to find links and connections between certain images. Through these associations, a starting point for a new body of work slowly starts to emerges.

All the President's Children by Jaclyn Conley

This current series is based on images sourced from the Presidential Library Archives. Here, Conley has focused on the faces of children in crowds. She crops these from photographs of large crowds at political gatherings. The results are great. Her paintings are pared down and refined, almost to a point of abstraction. It’s a wonderful series and I highly recommend you check it out in full on her website.

All the President's Children by Jaclyn Conley

All the President's Children by Jaclyn Conley

October 7, 2014 / By

David Benjamin Sherry’s Mono-Color Landscapes Are Far From Monotonous

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New York’s illustrious photography gallery, Danziger, has inaugurated its new space at 521 West 23rd Street with the first NYC showing of David Benjamin Sherry’s mono-color landscapes. Featuring a series of photographs that Sherry shot over the course of 2013 and 2014, it’s a heartfelt look at the world in a post modern sense. Having turned classic American landscapes into panoramas of vast and vivid color, Sherry’s renditions reminds us the importance of color in design and how much it can influence the perception of your work. The body of work is stunning and its presentation falls inline with the recent release of Sherry’s book.

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David Benjamin Sherry was born in 1981 in Woodstock, NY and currently lives and works out of Los Angeles. Having received his BFA from Rhode Island School of Design and his MFA from Yale University, he has seen much success and presented forth an impressive body of medium challenging work. I’ve heard him referred to as the modern day Ansel Adams. If that’s not saying a lot, then I don’t know what is.

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You can view his art as a part of the permanent collections at the Wexner Center of the Arts, Columbus, Ohio, Los Angeles County Museum of Art (LACMA), and the Saatchi Collection, London. Sherry’s most recent success occurred just last month, where he published Earth Changes in collaboration with Mörel Books, London. The book challenges categorical photography ideologies and questions photography’s truth.

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In his latest, Sherry used a traditional handmade wooden camera and shot with the beloved f/64 aperture (admired by classics like Edward Weston and the aforementioned Adams). Sherry adds his signature chromogenic hues by then altering the film in the darkroom. These exaggerated hues are simultaneously surreal, monochrome, and painterly.

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Often acidic and futuristic, they implore the viewer to question the classic landscapes and the role of nature in the world, or rather, what role we have towards nature. This work demonstrates that Sherry is not only a master of bold, sensual color, but also exploration, as seen by the West and SouthWestern American landscapes he reimagines. He portrays geological phenomena such as rock formations and sand dunes with those vivid and unexpected colors, which are a departure from their natural presentation.

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Strolling through the gallery you begin to feel a rhythm to the show, as directed by Sherry’s syncopated palettes of color. It’s a direct engagement with the viewer and an invitation to turn the mind’s eye inward. Sherry’s landscapes remind us, without preaching, of the inherent value that exists in nature—what it offers, what it represents, and ultimately, its ability to connect us to a broader experience. You can even goes as far as concluding that the tones, in combination with the landscapes, are critical of mankind’s relationship to recent climate change.

“Everybody needs beauty as well as bread, places to play in and pray in, where Nature may heal and cheer and give strength to body and soul alike… This natural beauty – hunger is made manifest … in our magnificent National Parks … Nature’s sublime wonderlands, the admiration and joy of the world.”
– John Muir

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I could probably take a page from Sherry’s book and not be so preachy about our relationship with Earth, but seeing works such as the photographs on show at Danziger fill me with passion and insight that I can’t resist. It’s so refreshing to see artists such as Sherry take another look at such a classic and beloved medium, and stock it loaded with contemporary commentary. A must see.

Sherry’s work is on show till October 25th. If you’re unable to drop by, you can order his new book here.

October 1, 2014 / By

Next Level Risograph Prints and Postcards by Bienvenue Publishing

Bienvenue Publishing

Bienvenue Publishing is a Zurich based group who are creating some really lovely prints and postcards that are extremely lovely and affordable. Their work is handprinted in limited editions using almost exclusively risography, which allows them to apply each color individually and ensures a high luminosity.

My personal favorite is their print series titled Riverstones (above) which in a vague sense look like stones but in a very artistic, abstract way. As mentioned about it’s all about the amazing colors they’re able to get with these prints that makes them truly shine, literally and figuratively. I’m also impressed with their Morbid Being prints, a series of fighting fish photographed from above.

You can shop their full collection of products by heading on over to their online shop.

Bienvenue Publishing

Bienvenue Publishing

Bienvenue Publishing

September 30, 2014 / By

Scott Albrecht Reflects on Time, Perception and Interconnectivity Through A New Body of Work

Scotty Albrecht

We’re big fans of the Brooklyn-based artist Scott Albrecht so we were very excited to discover that he has been busy recently working on a brand new body of work. Incorporating woodwork, hand-drawn type and and geometric collage, Scott has continued to produce interesting and engaging art which always feels fresh and unique.

Scotty Albrecht

Scotty Albrecht

This latest series was made for an upcoming solo exhibition that will open in Philadelphia’s Art in the Age this Friday (October 3rd). Titled The Distance Between Two Points, the show explores themes of time, perception and inter-connectivity. Scott says that his goal was to create work with layers of meaning. His approach was holistic, with each piece functioning individually yet collectively they convey a larger message.

Scotty Albrecht

Scotty Albrecht

I love Scott’s approach to the way he uses different mediums. He’s never afraid to try new things yet this never detracts from his distinctive style. I particularly like his latest series called Situations (some images featured above). Here he paints mostly in black and white (with small accents of teal and coral appearing in other images) and a motif of an eye runs through the entire set of images. This symbolizes observation and personal experience. I love the graphic sensibility of this work and together they form a wonderfully striking series.

Scotty Albrecht

The Distance Between Two Points opens at Philadelphia’s Art in the Age on October 3rd and runs until the 31st.

September 30, 2014 / By

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