Deep in Germany’s Bavarian countryside you’ll find these beautifully simple holiday cottages designed by studio Format Elf Architekten. The three buildings were commissioned by Hofgut; a hotel that already offers 7 cabins, a spa and a restaurant. Designed for guests who are looking to stay for a longer period of time, they look like the perfect place to relax, recuperate and enjoy the beautiful surroundings.
Photographed here by Lothar Reichel, you can see just how beautiful these buildings are. They were designed to resemble the agricultural buildings of the region, yet in their black-stained timber cladding and their simple form I think they have a real sense of elegance about them.
Despite their initial similarities there are subtle differences between all three cottages. For example, one is located in a small clearing in the woods and its interior has been enhanced with darker elements to echo its more intimate location. Another can be found beside sloping fields and the architects have decided to use a lighter palette for this cottage. The third can found at the edge of a pond, and this one features the lightest finish. All three offer a large floor space, a kitchen area and a mezzanine.
They’re a beautiful collection of buildings and I can imagine that they offer a wonderful spot for those looking to getaway from the demands of a busy lifestyle. More work from Format Elf Architekten can be seen on their website.
Inka Lindergård and Niclas Holmström are two Swedish-based artists who collaborate together to create some truly striking images. Based in Stockholm, they frequently travel in search of the perfect landscape for their work.
At the core of what they do is an interest in the power of nature and landscape. They are particularly drawn to our perception of these things. Why is it that we like a sunset over an ocean; why are we filled with awe when we see a mountain range?
Often verging on the supernatural, their work plays with the components of nature that inspire awe. Take for example this series entitled The Belt of Venus and the Shadow. Here the duo extract the lush colors of a sunset and transfer them to the rocks of the shoreline. By doing so the natural becomes the unnatural and the tangible suddenly becomes metaphysical.
It’s a beautiful series and I think the simplicity of their idea is very effective. The Belt of Venus and the Shadow is only one of a number of projects that explore similar territory. You can see more work from Inka and Niclas on their website.
Canadian photographer Sean Mundy may only be 22 but boy can he take photographs! A native of Montreal, Mundy’s work draws heavily from iconography, symbolism and the surreal. There’s something cinematic in his images and I love that they all seem to tell a story, even if the story is one we don’t quite understand.
Mundy utilizes digital art to construct his work yet this never comes across as showy or heavy-handed. His digital trickery only serves the work and the images he constructs. Instead of offering one answer to the meaning behind his photographs, Mundy prefers to leave his images open to interpretation; he allows for the viewer to add their own meaning to this work.
For me it’s the simplicity and the elegance in his imagery that I love and I think many of his photographs have a fantastically macabre tone. You can see more from Mundy on his Tumblr.
Stephen Kelleher is an Irish-born designer based in Brooklyn. For more than ten years he’s been honing his craft; building a portfolio that is packed full of exciting projects and great ideas. Chiefly working in illustration and motion, he has collaborated with clients such as Coca-Cola, Cartoon Network, Google and The New York Times. For me, he demonstrates a real gift for simplicity and I love his approach to both color and shape.
Recently he worked on a wonderful self-directed project called ‘Mind Yourself’. Made from wood and painted with acrylics, the series consists of three separate pieces. Stephen describes them as “meditations on self-realization and self-preservation”; each one acting as a reminder to take a moment to remember to take care of yourself. The work demonstrates a wonderful talent for simplicity and I love to see a designer step away from their computer and actually make something with their hands. The results are terrific.
More work from Stephen Kelleher can be viewed on his website.
I find the image above to be hugely arresting. Taken from a series by photographer Heather Rasmussen called Untitled (after the fire), the image depicts what remains of a doorway after a house fire. As a viewer, I feel somewhat removed from the incident; initially simply drawn to the formal qualities of the work, and yet I’m also struck by the destruction it depicts and haunted by the reflective quality that shines through it.
For Rasmussen the photographs obviously take on a much deeper meaning. She says that the fire caused her to take a look at her life and her possessions. For her, the fire was a moment to step back and decide what was important in her life and to also re-evaluate what comfort and home meant to her. “Through photographing the damaged areas” she says, “I have allowed myself to see what was there before the flames”.
It’s quite a touching and reflective series and I feel it should act as a prompt for others to take a little moment to appreciate the things that they do have in life and to appreciate what home and comfort means to them.
More images from this series and other works can be viewed on Rasmussen’s website.
Take a look at the image above and what do you see? A bat? A monster? A shopping bag? … Something else? Created by Korean artist Kyung-Woo Han, the artwork is a Rorschach test and like any Rorschach its meaning is open to interpretation.
Han is a graduate of both the Skowhegan School of Painting and Sculpture in Maine, and the School of the Art Institute of Chicago. There’s a playfulness to his work that really appeals to me and he often incorporates optical illusions within his multidisciplinary practice. For Han, the aim is always to create both a sense of wonder and bewilderment for his viewer.
The simplicity of this work is what I find most appealing. Boldly graphic, the images play with perception; forcing the viewer to question even further what they see in each picture. If you ask me, this series feels like René Magritte’s The Treachery of Images for a generation raised by consumerism. I love it!
See more optical work from Han on his website.
Over the week I discovered the work of Sari Cohen; an illustrator and print-maker from Tel Aviv. I love the colors in her work and I really like the shapes and forms that she uses. The work here was created for an exhibition called La Culture which ran in Tel Aviv at the end of May.
The exhibition was part of a whole festival of illustration which took place in the city for ten days. It was Israel’s first ever Illustration Week and it sounded like they hosted a great series of events. I’ve never heard of a city putting on an illustration week before, and this one in Tel Aviv seems to have really done it well; putting together work from some of the country’s top illustrators as well as hosting dozens of exhibitions, workshops and opportunities for local illustrators and the general public to meet up.
Sari’s illustration was selected as one of the images to promote the week and I think it’s a wonderful image to pick. Called Machine Dreams, the image is a fantastic piece of work celebrating imagination with surrealism and beautiful dream-like moments. Prints are currently available to purchase here, or perhaps even better is the possibility to buy the image on a dream journal which comes with a rather nifty LED pen hidden inside.
More illustrations from Sari can be viewed on her website.
Quiltmaker Linday Stead creates some pretty wonderful work. Her quilts are rooted in tradition yet they have a really modern sensibility. Based in Toronto, her designs combine color and pattern to excellent affect, creating work that would look just as good hanging on a wall as it would draped on a bed.
All made by hand, each quilt is a one-of-a-kind. According to Lindsay it takes between 30 and 80 hours to complete each one, and the results are fantastic. Personally I love the restraint in her designs; her asymmetrical patterns have a bold graphic sensibility and her fondness for minimalism and modernism really shines through.
To see Lindsay at work and to learn a little more about her process and inspiration you can check out this short video created by House&Home:
More work from Lindsay can be viewed on her website.
I’m a big fan of Christoph Niemann. His Abstract Sunday blog on The New York Times is always a great read and his Petting Zoo app might just be one of the most entertaining apps around. I was checking out his site the other day when I discovered these excellent prints of the Brooklyn Bridge and Eiffel Tower.
Like all of Christoph’s work, these illustrations are so effortlessly simple and so perfectly made. The idea is so much fun and the execution just nails it! Produced as a 3 color sikscreen, both images are available to buy through his website. The Brooklyn Bridge image comes in three different colors (though yellow is already sold). I’d love to see this continue as a series; who knows what other monuments could get woven together?
You can see more work from Christoph Niemann on his website. The scope and range of his work is fantastic so please do make the effort to check it out!
Artist Daniel Heidkamp currently has a new solo show on at White Columns in New York and I just love the colors in his work. A native of New York, Heidkamp’s exhibition consists of recent oil paintings that depict the city’s Metropolitan Museum of Art as seen from the grounds of Central Park. Bursting with brightly colored foliage and trees, Heidkamp’s work really captures the beauty of the area.
The majority of the work was painted on location and Heidkamp’s work gets the energy of these scenes just right. “When painting en plein air I feel the atmosphere on my skin” Heidkamp says, “[…] there is an adrenaline feeling that happens while working ‘live’ and that energy can translate directly into the painting”.
While many of his contemporaries may explore far-less traditional methods of art-making, I feel there’s something special in Heidkamp’s interrogation and exploration of representational painting. Following in the footprints of people like Hopper, Hockney, and Doig; Heidkamp’s focus on ordinary and everyday scenes is as engaging as it is compelling.
His exhibition in New York’s White Columns show runs until July 25th. More work and further exhibition dates can be viewed on his website.