Architectural firm Bates Masi + Architects LCC have had roots in New York City and the East End of Long Island for over 50 years. Recently they completed this stunning family home in Amagansett, New York. If anyone knows the area, they’ll know that it’s a popular destination with tourists and features a bustling resort town as well as a number of celebrity homes.
One of the key considerations for this property was to shelter it from the noises of the near-by village. The architects say that their interest in the building’s acoustics was what drove the form, materials and detail of the house. From the outside, it initially looks windowless, with large concrete walls that are nearly 20″ thick. These provide excellent insulation as well as great protection from the sounds of the village.
Inside the home looks bright and spacious with a particularly beautiful living-and-dining space. Its use of different woods makes this area feel relaxing and comforting and its large window opens up to the rear of the property to reveal a garden and pool.
“The research of sound and how it affects our perception of space informed the details, materials, and form of the project” say the architects. “This approach to the design led to a richer and more meaningful home for the family.” I think the finished house looks beautiful, and I’d happily except an invite to come stay-over from whoever its new residents are!
More work from Bates + Masi Architects can be seen on their website.
Just a little north from Copenhagen you will find the Louisiana Museum of Modern Art. Currently it’s home to a solo exhibition by the Danish/Icelandic artist Olafur Eliasson. Best known for his sculptures and large-scale installation art, Eliasson often works with elemental materials such as water, light, air and soil. For this, his first solo show at Louisiana, the artist has decided to turn the entire south-wing of the museum into a riverbed; transforming the galleries into a giant unfolding landscape of rocks, stones and water.
Described as a “stress-test of Louisiana’s physical capacity”, the installation is a surreal and beautiful sight. Visitors are encouraged to walk on the rocky surfaces and spaces are entered through semi-submerged gallery doorways. I think it looks terrific and I can only imagine how wonderful it must be to hear the trickle of water running through the small galleries of the Museum.
The exhibition is due to open to the public on 20 August, more details can be found on the Louisiana Museum of Modern Art website.
Glitchometry Stripes is an ongoing body of work from the American artist Daniel Temkin. Started in 2013, the series takes raw digital information and transforms it into beautiful op-art that could rival the likes of Bridget Riley or Victor Vasarely.
The process of creating these images involves Temkin taking a series of vertical black and white lines and then importing them into an audio editor. By adding a few simple sound effects to different color channels he finds beautiful results. According to Temkin the image manipulator has a sense of what each effect does, but no precise control over the result. He describes this as “wrestling with the computer”.
I love the colors and shapes within this work. New images from the series frequently get posts to Tumblr. You can check them out here.
More exciting projects can be seen on Daniel Temkin’s website.
Ceramic alpacas! What’s not to love about a ceramic alpaca. Firstly, it’s an alpaca. Secondly, it’s made from ceramics. Thirdly, it looks terrific. And fourthly it works as a plant holder! Not to sound like a broken record, but what’s not to love!
These fantastic designs are the work of Monica Ramos (an illustrator who we featured on the site a couple of months ago). Created under the name Rituals, Monica sees this work as simply an extension of her image-making. These objects are tangible, functional and just as full of personalty as her other work. I love them.
Unfortunately this edition sold out almost immediately, but you can still keep abreast of further work by visiting the Rituals shop.
Emma Hartvig is a photographer originally from Sweden who currently lives and works in London. A recent graduate of the London College of Communication, she’s already managed to exhibit work in New York, Amsterdam, Sweden and London.
Inspired by a love of cinema, she enjoys the boundaries that the medium of photography provides: “I’m very struck by the still image” she says, “I’m interested in the limitations of a photograph in terms of its narrative capacity to have an image that’s frozen in time”.
The photographs here demonstrate this wonderful approach she takes. You can almost feel these images playing out in slow motion yet instead they are frozen in time. For Hartvig, these are isolated moments with no past and no future. Her work plays to the medium’s narrative strengths, allowing the images to hang in their beautiful frozen moments. I love them!
You can check out more work from Emma Hartvig on her website.
“What does silence look like? How is it expressed? Can it be visual?” These are the questions Nobrow posed to over 40 international artists and illustrators for the ninth edition of their magazine. It’s a fascinating theme and one which has produced a wide-range of outcomes. Amongst its 128 pages you’ll find scenes of contentment, intimacy and the surreal as well as stories of the mundane, the morose and the amorous.
As with previous editions, this version offers artists a limited 4 way color palette to bring their imagination to the page, and this restriction brings a wonderful unity to the magazine. The pink, orange and blue tones are a beautiful combination and it’s a joy to see how each artist plays with this restraint through their work.
One of the nicest things about Nobrow’s magazine is that it works as two magazines. On one side it contains large illustration work (as shown in the post), while the reverse is filled with stories by comic artists and visual storytellers.
If you’re in any way interested in contemporary illustration I can’t recommend this publication enough! With over 40 artists involved, it’s hard to imagine a more comprehensive magazine. For those interested in the work featured here, it includes (from the top) images by Kali Ciesemier, Owen Davey, Merijn Hos, Jun Cen and Ella Bailey.
Nobrow 9 is currently available to purchase from the Nobrow website.
Formed in 2004, Torafu Architects are a Japanese studio founded by Koichi Suzuno and Shinya Kamuro. The duos work is fantastic, covering a broad and diverse range that includes everything from product design and architecture; to interiors, installations and film making. Recently they collaborated with the well-established Japanese furniture manufacturer Hida Sangyo to produce a furniture collection called Cobrina.
The name Cobrina comes from the Japanese expression “koburi-na”, which is used to describe things that are small or undersized. It’s a fitting name for a collection that is designed to be small and lightweight. For the duo, it was important that the furniture could easily be moved around – perfect for those who have compact living areas!
Consisting of nine pieces, the furniture is made in beautiful oak and each piece is characterized by its playful rounded shapes on both its surfaces and its legs.
I love the simplicity and the elegance of this furniture. The hat-stand that includes a small bowl for keys and wallet is a wonderful touch and the bright blue of the chairs adds a lot of great color to a perfectly restrained collection. More images from Torafu Architects can be seen on their website.
Since the early 90’s the German photographer Hans-Christian Schink has been bringing his unique perspective to the world. Represented internationally by many museums and galleries, his photographs often cover a broad range of subjects but a fascination with landscape always seems to be at the heart of his work.
Between 1995 and 2003 he produced a body of work called Walls. Easily his most abstract series to date, the work highlights Schink’s direct, near confrontational, manner of photography. Shot with a large format camera, the series consists of 11 images, each one demonstrating the photographers strict approach to his subject matter.
The photographs examine the architecture of commercial buildings. Each image resembles a large color field paintings, with Schink paring down his subject matter to a point of graphic abstraction. Only the smallest hint of subject matter can be detected from the tiny traces of pathways and skylines that Schink choose to include at the edges of his work.
Personally I love the restraint in this series. There’s a striking directness about each image and the colors of these buildings are just wonderful. You can see the complete series on Schink’s website and make sure to also check out more of his work while you’re there.