As I mentioned in my previous post, gradients are quite the thing these days. It was then funny to see this Kickstarter project pop into my inbox, which furthered confirmed my point. Anicorn, a Hong Kong based watchmaker, has a teamed up with Seoul based industrial designer Jiwoong Jung to create Hidden Time, a watch face that slowly reveals the hours of the day. The designer describes his concept as such:
“My research on how to naturally pass time began with how hiding occurs in nature, which led me to one of the best known examples––the chameleon’s protective color. Their defense mechanism is a kind of optical illusion, but a simple and effective way to have two things together naturally when superimposed.”
I like this watch for a few reasons. First, I think it’s smart that you can easily tell the hour because the white numerals really pop off of the dark gradient color. It’s really nice that it comes in three different finishes, that rose gold is precious, but honestly I’d still be a stereotypical designer and go all black. Finally, the price point is just right, coming in around $150.
You can support Anicorn’s project by clicking here.
Gemma Gené, an architect and visual artist from Barcelona, has created a stunning series of paintings and drawings with a simple conceit: objects wrapped in or made of metal. The effect is dazzling because of her next-level ability to render the highlights and shadows of the metal, as you can see from the incredible details in the pineapple above.
The two aspects of her work that I really enjoy are the wood panels she uses, which certainly bring a wonderful contrast to the overall composition, a balance of the natural and manufactured. I also appreciate the fact that she paints in the shadows and subtle reflections of the objects onto the wood panels, grounding the objects and giving them even more depth.
Beautifully executed, hopefully she continues to make more of these.
Gradients are quite “in” these days as they’re able to bring a feeling of movement and a depth of color that’s always attractive. How a gradient is applied is where things can get interesting, as is the case with the work of Zoe Gilbertson. Her medium is needlepoint which allows her to create abstract artwork that bridges the hand stitched with the digital.
If you’d like to get a piece for yourself, check out her shop.
Raphael Vangelis, a London based director, created this super inventive video titled Analogue Loaders which brings the digital concept of waiting into a fantastic physical world. His reason for creating it? He feels like it’s how he spends his life.
This short film is my animated autobiography. I spend most of my life swearing at the computer because it’s crashed or isn’t working. Here, well known digital symbols are turned into something analogue and playful. The result is an homage to all the lost time we collectively spend in digital limbo in the hopes of sudden development on our screen.
There’s also a behind-the-scenes look at how he and his team made the video, which was a much more arduous process than I would have imagined. A majority of the elements were 3D printed, assembled, captured via stop-motion and then all sorts of digital video apps to create that handmade vibe of the video. I’m so curious to know just how long this video took to make. I feel like it had to take months, right? I think it was worth the effort but I personally wouldn’t have the patience to make something like this.
A wonderfully laid out poster with a truly important reminder, regardless of your profession. Nice work from Hamburg based designer Donnie O’Sullivan.
When I think of the most talented people in lettering my list includes Louise Fili, Jessica Hische, Erik Marinovich, Gemma O’Brien, and of course the incredible Dana Tanamachi. It’s been a joy to watch her work grow and evolve on Instagram as she handles immense murals, covers for books and magazines, and so much more. Very recently she completed a stunning triptych for the Instagram HQ which speaks to the growth of the platform over the years.
“This triptych was created by hand-cutting adhesive stencils, meticulously placing them on the birch boards, then painting a gradient on top of everything, and finally peeling off the stencils to reveal the beautiful woodgrain below.”
This first design illustrates IG’s infancy—strengthening/connecting roots, giving voices, and cultivating simplicity. The flowers shown here are a mix of the earliest spring flowers and oak leaves/acorns. The latter of which are tiny things that have the potential to create entire forests.
This middle design illustrates IG’s adolescence—connecting voices, creating empathy (the stems intersect like two clasped hands), and bringing communities and cultures together. The flowers shown all bloom in midsummer.
This final design radiates from the center (expanding, growing, exploring) using a variety of wildflowers, symbolizing the the beauty and wild-ness a future full of possibilities holds.
Lovely work, as always.
One of my fondest memories of early design inspiration was receiving type catalogs from House Industries. In the mail. Like a physical object that I could admire, obsess over, and still to this day, maintain a collection of. I hope some of you readers remember these catalogs and/or still have some stored in your library, they were masterful examples of printing and typography.
Their work at this point is legendary so I’m thrilled to see they’re releasing a new book titled The Process is the Inspiration on May 30.
The Process is the Inspiration is a collection of helpful lessons, stories and case studies that demonstrate how you can transform obsessive curiosity into personally satisfying and successful work. If that’s not enough, there’s also plenty of over-intellectualized post-rationalization supported by hundreds of new images, our signature top-secret printing tricks, and thousands of Oxford commas. Most importantly, this book shows that there’s no sense in waiting for inspiration because inspiration is already waiting for you.
Couldn’t be more excited. This book almost feels overdue as they’ve been at this for over 25 years now and are still at the very top of their game with no signs of slowing down. Netflix needs to take note for their upcoming series Abstract, House Industries should obviously be a part of series 2!
You can pre-order The Process is the Inspiration by clicking here.
A lot of electronic music is made to dance to. Whether you love Karl Kox, Underworld, Black Madonna or even Skrillex, they make music that’s loud and is truly meant for large venues where people dance in the dark. That’s the opposite of what Will Weisenfeld, aka Geotic, is trying to achieve with his upcoming EP Abysma.
“So much of dance music is about partying and going out and having a really hardcore social experience,” Wiesenfeld says. “Dance music has never been that for me. So much of my experience listening to music is being by myself – at home or in my car.”
I can totally relate to this. It’s a sound that feels comfortable for your every day. The first single off the album is titled “Actually Smiling” and it’s filled with poppy synths and angelic harmonies swirling together to make a highbrow video game soundtrack.
“I see it as being a comfortable middle ground between that crazy hyper-emotive EDM and the hyper minimal deep dark club stuff,” Wiesenfeld says. “I like both of those things in different amounts, but I like the middle ground most. It’s not showy, it’s just a comfortable emotional zone.”
I also wanted to point out the extremely rad cover art by kyttenjanae. She makes the craziest 3D renders in a candy store of colors, abstracting the human shape in the most fascinating ways. Her work is phenomenal.
Abysma comes out May 31 on Ghostly International.