Mr Porter has an interview with design duo Scholten & Baijings, famous for their brilliantly colored furniture and home goods. A quick Google image search is illuminating on their breadth of work. I love that they’re so process driven, working and working to find the right solution, until a product feels just right. Further, I think it’s great that they keep their explorations on display (above), understanding the importance of learning from one’s mistakes.
Quite how exacting this process can be is demonstrated by the set of ceiling-height shelves that separates the workshop from the main lobby. This is full to bursting with embryonic versions of recognisable products, such as the speckled, polygonal cardboard cups and saucers that would later become “Paper Porcelain” (issued by Danish brand HAY in 2009) and cast metal forms of pears, baby steps towards the “Fruit Party” centrepiece of 2008 (which now resides in the collection of Holland’s Zuiderzee Museum). These prototypes and experiments are not only clearly visible from within the studio, but also from without, thanks to the building’s glass façade. “If you’re on display in a transparent building, your work should also be transparent,” says Mr Scholten.