A couple weeks ago I stopped by the Heath Ceramics in Los Angeles for the opening of In The Rough, a new ceramics show featuring the work of Ani Kasten. Her work is a balance of roughness and delicacy with many of her glazes replicating the textures of nature, like tree bark or dried up river beds. Complimenting this texture though is always this smooth whiteness or a rigid grid of lines that make seems bring an order to the abstract roughness. Kasten says as much about her work:
The shapes and surface treatments take their influence from plants, water, rocks and clay, as well as from architecture, industry and machinery. The forms integrate these sometimes opposite sensibilities into a composed landscape, such as a stand of bamboo-like, truncated cylinders, perforated with small windows to look like corroded skyscrapers, or a simple, pure form such as a smooth sphere, marked on its surface with an off-center, wandering imprint, like bird tracks in the sand. The pieces are often truncated, off-center, weathered and perforated, combining natural movement and an apparent state of organic deterioration that invokes the cycle of life, death, decay.
The show is on display until October 5th and pieces are available on the Heath website.