You know Eric Roinestad’s work but you might not know he was the man behind it. He’s worked at Capitol Records creating album covers and packaging for bands like The Beatles and Fiona Apple. Still, he had an itch to create things by hand again, eventually getting into ceramics. I came across his work at an exhibit he had at Mohawk General Store in Los Angeles. The show featured a number of beautiful desert inspired pieces that are some of the best I’ve seen in a long while. Thus I thought it would be interesting to ask Eric about his thoughts on his inspirations and future.
What spurred this collection? It makes me think of Palm Springs and the desert, which I love.
The desert and California landscape was the big inspiration on this collection of pieces; I’m glad that came across.
What’s your process for making the pieces? Do you sculpt all the pieces or are they cast?
Everything is either hand built, or thrown on the wheel with hand applied elements. The cans, however, are press molded. Most of what I do is pretty labor intensive, casting is very tempting but I would hate to lose the one of a kind quality my pieces have. I like seeing a creator’s hand in their work.
I’m a huge fan of ceramics and one day I’d love to start my own line. What started you down this path?
When I started out as a graphic designer computers were still new and I was doing most of my work by hand, pasting up layouts and hand drawing logos, I loved it. Then computers took over and I would sit in front of my screen all day, really missing working with my hands. Ceramics started out as an after work activity when I was at Capitol Records. A friend of mine and I would drive out to Monrovia Community Adult School for ceramics class one night a week, and it never stopped. About a year and a half ago I converted my studio space and devoted most of my time to ceramics; in November, Lawson Fenning asked to sell my stuff in their store.
Where are you drawing your inspirations from lately?
I’m always looking at nature for a lot of my inspiration. We have a large California native garden, so most of my inspiration is right outside my studio door. I’ve also been inspired by the shapes in Jean-Michel Frank’s work, as well as the bronze and plaster work that Diego and Alberto Giacometti did for him in the 1930’s. I’d love to interpret that 30’s French modernism in a California sort of way.
Anything coming up you’d like to talk about?
Since my show opened at Mohawk General Store some interesting new opportunities have appeared. I am excited about collaborations with other companies and designers. One project that I am eager to show are mirrors with ceramic tiles and tile tables I have been working on with a good friend, Christos Prevezanos, at Studio Preveza.