Lauren Martin has a fantastic piece on something you may not believe: the more intelligent you are the more likely you are to stay up late. Compiling several studies she found that people who are extremely intelligent tend to sleep during the following hours:
Weekday: 12:29 am -7:52 am
Weekend: 1:44 am -11:07 am
Now, just because you may sleep at these times doesn’t mean you’re a genius, but Lauren has made a pretty great list which might explain why this trend might be happening.
Photo by Sebastian Lomas
It certainly feels like the act of handwriting is being lost. I’ll never be the person who says something is “dead” though clearly computers have decreased our need for writing by hand. If you could see my handwriting you’d understand just how sad the situation has become. Still, you have hold-outs like the Kakimori Stationery Shop in Tokyo who still see life in the practice. They see the shops purpose as creating a richer experience for communication as well as giving people a reason to write things down.
Each item in the shop is researched and hand-selected as customers tend to ask detailed questions about how and where the products are made. They had originally tried carrying mass-market products but they couldn’t compete against the larger chains, eventually going back stocking only the finest in pens, papers, and accessories. Now they also make custom made notebooks, you can see the owner assembling each by hand.
Though you may not take up writing notes by hand again it’s nice to see there are still people out there who are passionate about the experience.
Deep in Germany’s Bavarian countryside you’ll find these beautifully simple holiday cottages designed by studio Format Elf Architekten. The three buildings were commissioned by Hofgut; a hotel that already offers 7 cabins, a spa and a restaurant. Designed for guests who are looking to stay for a longer period of time, they look like the perfect place to relax, recuperate and enjoy the beautiful surroundings.
Photographed here by Lothar Reichel, you can see just how beautiful these buildings are. They were designed to resemble the agricultural buildings of the region, yet in their black-stained timber cladding and their simple form I think they have a real sense of elegance about them.
Despite their initial similarities there are subtle differences between all three cottages. For example, one is located in a small clearing in the woods and its interior has been enhanced with darker elements to echo its more intimate location. Another can be found beside sloping fields and the architects have decided to use a lighter palette for this cottage. The third can found at the edge of a pond, and this one features the lightest finish. All three offer a large floor space, a kitchen area and a mezzanine.
They’re a beautiful collection of buildings and I can imagine that they offer a wonderful spot for those looking to getaway from the demands of a busy lifestyle. More work from Format Elf Architekten can be seen on their website.
I’m an avid fan of finding unique beers, coming across flavors that you don’t normally get in the average super market aisle. I was browsing through Whole Goods last night and came across this hysterical beer called Mr. Pineapple. Brewed by Arizona based brewery SanTan, this wheat beer is flavored with pineapple which gives it a sort of tropical taste, perfect for the summer. What really caught my eye though was the packaging.
I told my partner Kyle that this feels like the Will Bryant of beers. It’s fun, it’s irreverent, and you’re totally ready to drink one as soon as you get your hands on it. Good luck getting your hands on a six pack.
The art of window dressing seems like a fantastic job. Limited only by your creativity, you must bring together small worlds filled with beauty, nuance, and excitement. The duo of Zim & Zou, made up of French designers Lucie Thomas and Thibault Zimmermann, recently completed a rather stunning display for Hermès in Barcelona based around the idea of a fox’s den.
This Carte Blanche tells the story of a fox who moved into the window with all his personal objects, showing a bit of his life and personality. The leather fox is living in a human interior composed with furnitures all made of paper, giving a surrealistic aspect to the scene. Each piece of the window display was made by hand.
Can you imagine coming up with a concept as complex as this? The leather fox is astounding, perfect down to his little whiskers. The custom designed wallpaper makes all of the the cut paper objects like the clock and telephone really stand out, those blues and oranges are lovely. Zim & Zou should be quite proud of what they’ve created, I’ve never seen anything quite this impressive.
View more photos of the installation by clicking here.
Boulder based designer and illustrator Dan Lehman has created a brilliant homage to Wes Andersen’s The Grand Budapest Hotel. He’s collected together the miscellaneous detritus that usually fills an Andersen film, objects like wine, bread, a dead cat, and of course, the throat slitter. Dan’s even cleared some space on the desktop versions of the wallpaper so you’ve got plenty of room for your icons (sorry Windows users).
It’s not often that I write about jewelry though these chunky baubles by designer Mareike Kanafani certainly caught my eye. I’d describe her rings as brutalist, utilizing concrete in really fascinating, geological ways. They’re like miniatures versions of breakwaters, only more beautiful and complex. Her brooches (below) look like the precious gems you’d see on a chandelier. I love that she gives each a bit of tint and color which makes each one feel unique. It seems as though she hasn’t created anything new in a while, I certainly hope that changes soon.
Toronto based artist Carly Waito is well-known for her oil paintings of gemstones, having an uncanny knack for capturing the light and contrast with perfection. Her work immediately grasps your attention as you find yourself scouring the piece for clues to tell you whether or not these are painted or photos. She works at such a fine level of detail that it’s nearly impossible to tell the difference between the real and the imagined. In an interview with Carly from the Toronto Standard she nicely sums up the intentions of her work.
I don’t think anything man-made can ever really achieve the perfection of what exists in the natural world. I’ve always felt compelled to strive for that, even to the point of attempting to replicate natural objects in as much detail as I can manage, whether by sculpting pine cones in porcelain or painting images of mineral specimens. Nature has always inspired such awe and curiosity for me. Part of my motivation is that I want to capture a bit of that effect in the work I make.
We can’t do better than nature but we can certainly try.