These short animated pieces by Swiss artist/director Greg Barth are a brilliant exploration of clever, minimalist 3D aesthetics all done without the use of CGI. There are camera tricks and green screen elements, but all of the sets and objects were physically filmed. Barth uses these scenes to tell an abstract, surreal tale with some heavy conceptual framework including commentary on American consumerism and the Arab Spring. This sobering subject matter contrasts surprisingly well with the clean, dimensional imagery and adds to its surreal effect. I particularly enjoy the final piece of chapter 2 with gravity-defying cans dressed in world flags. I still can’t quite figure out how it was shot. Barth is an accomplished designer/director working in the commercial realm as well; you can browse some of his other work and read more about the process behind Essays on Reality on his site.