It’s our second week of Animal Collective inspired desktop wallpapers, and today we’ve got a totally weird one from Baltimore illustrator Jimmy Geigerich. To be clear though, that’s exactly what this wallpaper should be, because Jimmy got one of the weirdest, most difficult Animal Collective records to interpret, 2001’s Danse Manatee.
Every week I do some research on each album, and a part of that is listening to each album. Danse Manatee was and is incredibly difficult to listen to all the way through. I can handle noisy, but this album is like chaos through organs and drums. This is the first album to feature The Geologist though, who also claims it to be one of his favorite albums. According to Wikipedia, “the band was into extreme frequencies. Their goal was to experiment with intense high and low sounds and how they occupied space in the room and moved around in the listener’s head.” Well, that explains a lot.
Thankfully Jimmy Giegerich had the skills to handle this album. I love Jimmy’s style, he’s like that guy in middle school who would draw the grossest things possible all over his notebooks. Kind of a Pushead meets Japanese culture vibe to his work, it’s fantastic. Here’s what Jimmy had to say about his wallpaper:
I chose to do the piece that I did for a few reasons. Most of my illustration is narrative driven, so I couldn’t help but start to come up with kind of weird ideas for scenes and things while I was listening to the album. What I really like about the album and Animal Collective’s music in general is that their music seems to allow the listener to interpret it in their own way, and that’s kind of what I did here. I drew a whole scene based on different elements of the album, with the main element being based off of the song Meet the Light Child. What really stuck out to me about this song is that it goes from sounding kind of creepy and harsh, to sounding kind of nice and mellow, and back and forth. Like something that is both exciting and frightening at the same time, which is where I came up with the emotions of the figures around the “light child” in my piece. I wanted to go for something that fit well with the mood of the album, but told it’s own weird story at the same time.
I think he did an awesome job, and even though there’s a lot going on, it’s still dark enough to easily see your icons (trust me, I tried it). A big thanks to Andy Mangold yet again for curating this series, he’s done an awesome job so far. Check back next Wednesday for Animal Collective’s Campfire Songs.